The Canada 150 bank note is issued!
The public reveal of our new Canada 150 bank note design (we call it the C150), with its various ceremonies and crowd of dignitaries, was a pretty big deal (see the blog). The media event surrounding the same note’s release into circulation, (or “issue” as we like to call it) was, by contrast, a much quieter affair. Such things usually are. (No astronauts were involved—see the issue of the Polymer $5)
In a modern twist, Governor Stephen S. Poloz took a “selfie” while holding a C150 note before meeting up with the Honourable Ginette Petitpas Taylor for the main photo‑op. Petitpas Taylor is the Parliamentary Secretary to the Minister of Finance and was representing the Honourable Bill Morneau at the event.
It was a two-part photo-op: the Governor and Petitpas Taylor posed across the street from the Bank holding notes and then walked the two blocks to a gift shop on Sparks Street to place those notes into circulation. The only slight drama arose from the weather. Not only did the wind play havoc with our subjects’ hair, but clouds kept passing over the sun, making the photographers sweat a bit as they coped with the constantly changing light. But Governor Poloz and Petitpas Taylor nevertheless braved the gusts, posing cheerfully with their new C150 bank notes.
There then followed the curious spectacle of a gaggle of media hurriedly lugging all their gear down Sparks Street and cramming themselves around the cash desk of a nearby gift shop. Mr. Poloz strolled in and bought some maple candy and Ms. Petitpas Taylor chose some soap. Both paid with crispy, new C150 notes, of course. When the dignitaries left, cameras crowded around the sales desk, while their owners made the clerk (who was a good sport about it) repeatedly take the bill out of the register and put it back again.
In my last blog about this note, I spoke about the portraits. Now, as promised, I’ll chat about the more than a dozen other visual elements on the back and front. From the public consultations that informed the design, it was clear that Canadians’ identification with the landscape remains very strong. Back in 1954, the Bank’s Canadian Landscape series of notes promoted Canadian identity through its regional landscapes, featuring big vignettes that beautifully captured a broad snapshot of our vast country. Mind you, the designers had eight notes to work with.
The C150 design team didn’t have the luxury of such a vast canvas and was challenged to represent Canada’s wildly diverse regions on the back of just one note. The resulting note’s five gorgeous landscapes manage to elegantly showcase almost all geological regions of Canada. We’re just that much more efficient these days.
Apparently not satisfied with the four portraits on the front and five landscapes on the back of the bill, the C150 team included another ten visual elements to further represent Canada’s culture, history and land—and further frustrate counterfeiters, of course. These elements are applied via a number of security printing methods employed by the Canadian Bank Note Company. Vignettes such as the arrow sash patterns at the top and bottom or the Hall of Honour are lithographic prints, while the features such as those in and around the large transparent window are printed using metallic, colour-shifting inks. These inks change colour when you tilt the bill and make the maple leaves at the bottom of the window appear to be three dimensional. Good old-fashioned intaglio printing originating from steel engravings was used for the portraits and landscapes, recognizable by lightly brushing your fingertips across their raised surfaces.
In fact, so rich in detail is this note that you really ought to see it up close on the Bank of Canada’s website. There you’ll find a beautiful, fun and fascinating webpage with an interactive note you can flip over and inspect. You will also find background information on all the imagery along with a couple of really slick videos.
Better still, pick up a C150 note for yourself at your friendly, neighbourhood financial institution. If, like some of us, you are planning to keep the note, get two so you can spend one. It is money, after all, and it won’t commemorate anything while stored in your sock drawer.
Private Edward Atkinson’s example of trench art is what is called a “love token”—a souvenir made from a coin. It’s one man’s personal wartime experience expressed through a pocket-sized medium.
The Bank of Canada Museum would like to hear from teachers across Canada to help design new online resources for economic literacy.
The first Canadian paper money was issued in 1817, and for the next 120 years, the vast majority of Canadian bank notes were only in English.
Bank of Canada Museum will be at the 66th annual convention of the Royal Canadian Numismatic Association (RCNA).
Retaining the landscape format but showing human activity and intervention transformed the imagery into an extended portrait of Canada and Canadians.
During World War Two, the Bank created the Foreign Exchange Control Board (FECB). One of its major tasks was to find as many US dollars as possible to pay for American imports.
Economic bubbles continued to pop up regularly throughout history, and still do today.
In heritage conservation, broken metal objects can be reassembled with an adhesive most commonly used for repairing glass and ceramics.
Used extensively in the 19th century, this type of hand-operated press printed secure financial documents using the intaglio method.
How on earth did an “S” with a line or two through it come to represent a dollar? Any ideas? No? That’s OK, you’re in good company.
In 1977, the Royal Canadian Mint wanted to reduce the size of the penny in response to the rising price of copper. Little did the Mint know that the Toronto Transit Commission’s reaction would force the cancellation of the program.
The printing firms’ design teams went to work and came back with a surprising result: vertical notes.
The life expectancy of a two-dollar paper note was about a year. But coins can last for more than 10 years.
Successfully counterfeiting a bank note in the mid-19th century required an engraver with reasonably high talent and very low ethics.
Instead of bragging about our visitor statistics and the popularity our programming (both great!), we’ll talk about what’s coming up for early 2019.