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The Devil is in the Hairdo

By: Graham Iddon


October 31, 2018
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The 1954 note series

Have you ever seen eyes in the bark of trees? Wolves in the clouds? Faces watching you from the abstract patterns of your mother’s bedroom drapes? Although this is a Hallowe’en blog, I’m not talking about anything supernatural, here; I’m talking about shapes that can sometimes be seen in otherwise random images or patterns—such as in the design of a bank note, for instance.

Commemorative centennial $1 bank note from the 1954 series

You will find nothing unusual in this centennial commemorative version of the 1954 series, but in earlier versions… $1, Canada, 1967, NCC.1967.010.001

When the Bank of Canada creates a new bank note, one important step researchers take is to ask a focus group to have a really good look at a model of the new note. A fresh perspective is crucial here to find any unintended shapes in the imagery. If anything appears to protrude from a portrait subject’s ear, or if there are faces in the background patterns, it’s best that such things are pointed out before the note has been issued. Because it wouldn’t be the first time a curious shape has appeared on a bank note.

a colourful grid of eight bank notes, each featuring an image of a Canadian region

The vignettes of the 1954 series feature images from every major region of Canada.

As Canada headed confidently into the 1950s, it did so with new, modern, nationalistic bank notes designed by Canadian war artist Charles Comfort. A gorgeous landscape engraving filled the back of each note while our brand-new sovereign, Elizabeth II, was the star feature on the front of all eight denominations. Celebrated Canadian photographer Yousuf Karsh took an official portrait of Elizabeth. She was then beautifully reproduced by master engraver George Gundersen of the British American Bank Note Company. The new bank notes were elegant and very Canadian.

black and white image of bank note engraver George Gundersen at work

George Gundersen, engraver and art director of the British American Bank Note Co., would go on to engrave three of the five portraits of the 1969–76 series. Bank of Canada Archives POS-003561

black and white portrait of Elizabeth in a tiara, 1951

The original Karsh portrait of Princess Elizabeth was retouched to remove her tiara for the bank note. Yousuf Karsh NCC.1993.056,146

However, there was something not quite right about the engraving of the Queen; something perhaps a little sinister. Reports began surfacing of people seeing shapes in her hair—specifically the face of the Devil! In 1956, a British politician named H. L. Hogg wrote a scathing letter to the High Commissioner for Canada in the United Kingdom:

“The Devil’s face is so perfect that for the life of me I cannot think it is there other than by the fiendish design of the artist who is responsible for the drawing or the engraver who made the plate…I enclose an envelope for the return of the note but I would be better pleased if you told me you had burned it.”

a Canadian $100 bank note from 1955 with detail showing the Devil’s face in the Queen’s hair

A “Devil’s Head” $100 bank note, circa 1955. The face has been enhanced slightly to make it clearer. $100, circa 1955, Canada, NCC.1987.030.002

References to the Devil’s head popped up now and again in the Canadian media from 1956 until as late as 1959. A prominent member of the coin collecting community claimed the face in the Queen’s hair was “no accident” and that, “those responsible might be trying to put across a subtle message to the public.” A number of newspapers picked up this story, spreading the idea that an insider had infiltrated the bank note printing firms. By that time, true or not, such comments would certainly have upped the interest of any “Devil’s Head” notes on the collector’s market.

All conspiracies of fiendish engravers aside, the Bank moved quickly to have the security printing companies deal with the issue. Engraver Yves Baril darkened the highlights in the Gundersen engraving and, after 1957, the series was entirely free of questionable images or of any faces but that of the Queen.

With no diabolical intention, Gundersen had actually done a remarkable job of reproducing the Karsh photograph as an engraving. The problem was that he was too good. If you take a good look at the Karsh photo and squint your eyes a bit, you can just discern above the Royal left ear some contours of hair that do resemble a face—these contours are then made clearer and arguably more demonic by the fine-lined, high-contrast etching of the engraver’s art.

an engraving of the Queen and the photograph it was reproduced from

The Karsh photo is on the left; the Gundersen engraving is on the right.

It would seem that Mr. Hogg should have directed his wrath not at the talented Mr. Gundersen, but at the Royal hairdresser. Unless, of course, there was a dark conspiracy involving the hairdresser, the photographer and the engraver…let me check online. Happy Hallowe’en.

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Content type(s): Blog posts

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May 5, 2020

The “Streak of Rust” and the King of Newfoundland

By: David Bergeron


Reid was on the verge of ruin, yet insisted on continuing railway construction. Suffering huge losses, and with no credit or cash resources, Reid issued wage notes to pay his employees.
Content type(s): Blog posts
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Retired Cash

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In January 2021, 17 of our old bank notes will lose their legal tender status—what does that mean?
Content type(s): Blog posts
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The Fisher, the Photographer and the Five

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There’s little doubt that the BCP45 is lovingly preserved today partly thanks to being immortalized on this beautiful blue five-dollar bill.
Content type(s): Blog posts
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blueprint of a self-sustaining town ringed with working homes
Among the laser pistols, hover cars and androids of science fiction, there’s an elderly elephant in the room: money.
Content type(s): Blog posts
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Wrap-up, 2019

By: Graham Iddon


The Bank of Canada Museum set some very ambitious goals at the end of 2018. We have managed to achieve more in one year than we had since we opened in 2017.
Content type(s): Blog posts
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Private Atkinson’s War

By: Graham Iddon


Private Edward Atkinson’s example of trench art is what is called a “love token”—a souvenir made from a coin. It’s one man’s personal wartime experience expressed through a pocket-sized medium.
Content type(s): Blog posts
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Bank Note/Billet de banque

By: Graham Iddon


The first Canadian paper money was issued in 1817, and for the next 120 years, the vast majority of Canadian bank notes were only in English.
Content type(s): Blog posts
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RCNA Convention, 2019

By: David Bergeron


Bank of Canada Museum will be at the 66th annual convention of the Royal Canadian Numismatic Association (RCNA).
Content type(s): Blog posts
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Landscape Engraved

By: Graham Iddon


Retaining the landscape format but showing human activity and intervention transformed the imagery into an extended portrait of Canada and Canadians.
Content type(s): Blog posts
May 24, 2019

The Hunting of the Greenback

By: Graham Iddon


During World War Two, the Bank created the Foreign Exchange Control Board (FECB). One of its major tasks was to find as many US dollars as possible to pay for American imports.
Content type(s): Blog posts
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What goes up…

By: Graham Iddon


Economic bubbles continued to pop up regularly throughout history, and still do today.
Content type(s): Blog posts Subject(s): Economics, Social studies Grade level(s): Grade 08 / Secondary 2, Grade 09 / Secondary 3, Grade 10 / Secondary 4, Grades 11 and 12 / Secondary 5
April 25, 2019

Welding with Liquid

By: Stephanie Shank


In heritage conservation, broken metal objects can be reassembled with an adhesive most commonly used for repairing glass and ceramics.
Content type(s): Blog posts
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