Joseph Idlout and the 1975 two-dollar bill
In the early 1970s, real people appeared in the vignettes on Canadian bank notes for the first time⁠—⁠including Joseph Idlout and his relatives.
The hunter and the filmmaker
Wilkinson sought, as best he could, to understand the Inuit’s then-current culture, language and practices. And it went both ways. Idlout expressed a fascination with Wilkinson’s film and photography practice. He took lessons from Wilkinson, who gave Idlout a Kodak camera, supplies and a developing kit. Idlout’s photographs provide a unique perspective of the north Baffin Island region and can be found today, together with Wilkinson’s, in the Nunavut Archives.
He was Inuk, Angutialuk, a human being, a big man. Into his hunting he poured all the energy and emotion that a painter sets on his canvas, a writer from his pen."
- Douglas Wilkinson2
Deconstructing the engraving
The Scenes of Canada series (1969–79) was loosely themed around landscape with human activity. The location for the $2 note vignette was Nuvuruluk, (a common place name meaning “insignificant point of land”) near Aulatsiivik. Engraver C. Gordon Yorke slightly altered this image to suit the note’s format, bringing the horizon down to fit the height of the bill. Clouds were added that echoed the ripples in the water, giving directional energy to the image. The hunters’ appearance in the engraving is identical to the photograph, and their families were easily able to identify them on the $2 bill.
The men of the hunting scene
This scene also appears in Wilkinson’s film, part of a hurried preparation to pursue a pod of narwhals sighted by Idlout amongst the ice floes. The men were readying harpoons and kayaks and inflating avataqs, sealskin floats that they would use to slow the whale’s escape. Apart from canvas for the kayaks and a few small tools, the hunters used the traditional gear of this ancient hunting practice.
A foot in each world
The early 1950s were what Wilkinson called “a difficult and critical time”2 for all Inuit people, a time of massive societal transition. At that point, Idlout’s community had long since become accustomed to tea, flour, biscuits, guns, gasoline, boats and other 20th-century commodities—paid for with the furs Idlout supplied to the Hudson’s Bay Company. When arctic foxes became scarce in the mid-1950s, he, like others in the community, began to rely on store credit, reluctantly adopting another feature of modern life: debt.
Hoping for better hunting, Idlout and his family moved 650 kilometers north to Resolute Bay, the site of a Royal Canadian Airforce base. Encouraging him to move, authorities assured Idlout that Resolute was a “land of plenty.” It wasn’t. And, like other families relocated to the frontiers of the Cold War by the Canadian government, the Idlouts became wards of the state.
When the new $2 bill came out in 1975, the way of life depicted on it was already a thing of the past. By the late 1950s, hunting, as the Inuit knew it, had become an unaffordable luxury—even to Idlout. For a time, he worked as an instructor in Resolute. He taught Arctic survival techniques to soldiers and helped acclimatize Inuit families relocated by the Canadian government from distant Northern Quebec. But it was a poor substitute for the life of a master hunter and respected community leader.
The sad story is that we were basically human flagpoles, so the Canadian government could assert sovereignty over the high Arctic."
- Lucie Idlout, Joseph’s granddaughter3
He knew the different ways that made the Inuit happy and the different ways that made white people happy. He could have two lives."
- Peter Paniloo1
In the end
- 1. Between Two Worlds. Directed by Barry Greenwald. National Film Board of Canada, 1990.[←]
- 2. Wilkinson, Douglas. Land of the Long Day. Toronto: Clarke, Irwin, 1969.[←]
- 3. Inuit scene on $2 bill has a dark, storied history | CBC Radio[←]
The Scenes of Canada series $100 bill
Few of us ever get a chance to see a Scenes of Canada $100 bill. Which is a pity, because it is an example of great bank note design with even greater imagery by a master engraver.