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Coin designs of Emanuel Hahn

By: David Bergeron


August 2, 2017
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An Emanuel Hahn First World War memorial design in Lindsay, Ontario. (Wikimedia Commons, Richard BH, Hamilton, ON)

Emanuel Hahn was a celebrated Canadian sculptor whose work can be seen in the monuments of many Canadian cities. Born in Germany in 1881, Hahn immigrated to Canada with his family at the age of 7. Along with medals and a number of significant war memorials, Hahn designed some of Canada’s most distinctive and iconic coins. The voyageur silver dollar, the Bluenose dime, the caribou 25 cent piece and the 1939 silver dollar commemorating the Royal Visit of King George VI and Queen Elizabeth were all Hahn designs.

Pencil drawing by Emanuel Hahn sketching features proposed for the back of the 1935 silver dollar.
(NCC 1963.059.015.004)

In 1934 the Department of Finance invited Emanuel Hahn to submit a design for a silver dollar commemorating the silver jubilee of the reign of King George V. Hahn corresponded with the Royal Mint in London and the Royal Canadian Mint to gain insight into the process of minting a coin before submitting a drawing depicting a voyageur and a First Nations man paddling a canoe. To ensure accuracy, Hahn studied the designs of traditional canoes and the paintings of Frances Anne Hopkins. Hahn’s design was approved with only a few minor changes and was used as the standard pattern for the Canadian silver dollar until the introduction of the ‘Loonie’ in 1987.

Pencil drawing by Emanuel Hahn showing studies of human figure and arm.
(NCC 1963.059.015.005)

Pencil drawing by Emanuel Hahn showing refined details of graphic elements for back of 1935 dollar.
(NCC 1963.059.015.006)

Following the success of the voyageur silver dollar, Hahn was among several artists invited to submit designs for new Canadian coinage to be released in conjunction with the accession of King George VI, in 1937. Hahn produced no less than 16 sketches. His caribou (proposed for both the nickel and the quarter) and his Bluenose were both selected for the new coins. All of the designs put into circulation in 1937 are still to be found on Canada’s circulating coinage today. Hahn left an impressive mark on Canadian currency and all Canadians can be proud to have a ‘Hahn original’ in their pockets.

Reverse of 1935 silver dollar designed by Emanuel Hahn.
(NCC 1978.058.285b1)

Emanuel Hahn’s legacy of coins, drawings, plaster models and correspondence is preserved in the National Currency Collection of the Bank of Canada.

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Content type(s): Blog posts

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The Museum Blog

December 15, 2014

New Acquisitions

By: Raewyn Passmore


The recent additions to the National Currency Collection described below are from very different parts of the world and are between 1500 and 2500 years old.
Content type(s): Blog posts
November 28, 2014

The Big Nickel

By: Paul S. Berry


The commemorative 1951 5 cent piece was issued to mark the 200th anniversary of the naming of nickel and its isolation as an element. Recently, I had the great pleasure to participate in the Big Nickel anniversary festivities and give a talk about the design competition for the 1951 5 cent coin.
Content type(s): Blog posts
November 6, 2014

The Adventure of Exhibit Planning VI

By: Graham Iddon


This is not the time for ‘nay sayers’. Basically, we planned a luxury car knowing that when all was said and done, it was going to be a very nice family sedan (maybe with the big engine?).
Content type(s): Blog posts
September 29, 2014

The Adventure of Exhibit Planning V

By: Graham Iddon


Now the writer takes a deep breath and attempts to take a subject like the ‘representation of 75 years of national identity as depicted on stamps and bank notes’ from 50 pages of research and squash it into 65 words.
Content type(s): Blog posts
August 6, 2014

The Senior Deputy Governor’s Signature

By: Graham Iddon


Steven S. Poloz & Carolyn Wilkins
For much of their history, Canadian bank notes have represented a promise, a guarantee that they could be redeemed for “specie” (gold and silver coins) at their parent institution.
Content type(s): Blog posts
July 28, 2014

Becoming a Collector V

By: Graham Iddon


Visual glossary of design and security details of Canadian Bank Note: 2004, $20 face
Suppose you walk into a bar frequented by currency collectors and in an attempt to join in you refer to a ‘planchette’ as a ‘rosette’ (beer mugs hit the tables and the pianist stops playing). This could be pretty humiliating and you’ll probably never be able to go to that bar again, at least not on numismatic night.
Content type(s): Blog posts
July 21, 2014

Becoming a Collector IV

By: Graham Iddon


Visual glossary of design details of Canadian coins
Now that you have a grasp of preservation techniques for coins, you might want to familiarize yourself with the finer points of their anatomy. It is all part of your numismatic education and besides, you need to be informed and sound informed when you are buying coins at flea markets or coin fairs.
Content type(s): Blog posts
July 7, 2014

Museum Reconstruction - Part 3

By: Graham Iddon


Bank of canada - Night
Though naturally we are aware that the former Museum space is being gutted, the reality of seeing it empty is still pretty strange for most of us here. In the last blog of this series we showed you the empty cafeteria space that will become the new Museum, as well as some images of the old Museum as it was at the time: stuffed with odds and ends of exhibit cases, the occasional display still on the walls.
Content type(s): Blog posts
June 23, 2014

CENTimental Journey

By: Graham Iddon


With all the blogging we’ve been doing for Voices from the Engraver, you’d think we had nothing else on our exhibition plate. We do, actually, and it’s called CENTimental Journey. This temporary exhibition, hosted at the Canadian Museum of History, walks you through more than 150 years of the Canadian 1 cent piece.
Content type(s): Blog posts
June 16, 2014

Museum Reconstruction - Part 2

By: Graham Iddon


We are coming up on a year since we closed the doors on the physical museum. During that year, we’ve worked very hard to make sure everybody knows that we are still a functioning museum and one that will be opening its doors again in a few years on a beautiful new space, with an expanded mission and mandate.
Content type(s): Blog posts
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