British Columbia Gold Pieces
British Columbia’s $10 and $20 gold pieces are among Canada’s most celebrated coins. Made in 1862 from gold mined during the famed BC gold rushes, they were the product of a government program that aroused intercolonial rivalries and pitted the media against the governor. Although never released for circulation, these two pieces were part of the first official initiative to mint coins in Canada—almost half a century before the opening of the Royal Canadian Mint in 1908.
In 1857 and 1858, gold was discovered in the interior of British Columbia. Miners, largely American from the California gold fields, flocked north. As British Columbia lacked facilities to assay gold dust (analyze its purity) and mint coins, there was no immediate way to turn this treasure into money. Miners and purchasing agents exported their gold to more developed facilities in San Francisco. Dismayed by the impact this situation had on BC’s economy, Governor Sir James Douglas took action. In 1862, he authorized the purchase of minting equipment and ordered dies to strike $10 and $20 coins for use in the colony. This upset people on Vancouver Island, then a separate colony from British Columbia, who felt the new mint should be in their jurisdiction. Perhaps as a result, within a year Governor Douglas had a change of heart and decided not to have any coins minted for general circulation. The equipment was moved into storage. This decision put him at odds with other government officials, setting off a media storm that lasted over a year. However, he gave approval for a few examples, called patterns, to be struck and sent to the 1862 International Exhibition in London. A few patterns were also unofficially struck as gifts for local dignitaries.
Today, only a handful of these coins remains: a small number of silver pieces struck by the designer to test the dies and a few gold patterns struck once the minting machinery was assembled.
The BC gold patterns have an international appeal, particularly for Americans, given the coins’ association with California. In fact, over the last century, most owners of the gold patterns have been US collectors. The coin dies, today in the Royal BC Museum, were engraved by Albert Küner who worked in San Francisco and prepared dies for other American gold pieces. The two coins are even the same size and value as the contemporary US $10 and $20 gold coins; the so-called eagles and double eagles.
While Governor Douglas’ actions deprived British Columbia of its own circulating coinage, those heady days of gold fever in the colony saw a variety of money in circulation. Gold dust, although inconvenient, was widely used alongside American and British gold and silver coins, assorted foreign coins, bank notes and paper instruments from a few local banks.
The BC gold pieces are a significant part of Canada’s material culture. They speak to the early development of Canada’s West Coast, the region’s economic ties to its natural resources and its early links to American markets to the south. More to the point, they represent the initiative of a fledgling province to assert authority over a virgin territory on the eve of Confederation.
More information on this fascinating episode of Canadian history may be found in the pages of The Assay Office and the Proposed Mint at New Westminster by R.L. Reid, Memoir No. VII, Archives of British Columbia, Victoria, 1926.
Recently, from October 3 to 5th, collections staff were at the Toronto Coin Expo, held at the Toronto Reference Library on Yonge Street. The show boasts informative lectures, a large auction of coins, tokens and paper money as well as a showroom, called a bourse, where dealers greet clients and buy and sell material.
In one of my favourite cinematic moments, the 11 year-old chess prodigy, Josh Waitzkin, imagines sweeping the pieces off a chess board in order to help him think more clearly about an important game of chess. It is a championship game and he is on the brink of winning it all.
For the first time since they went into their cases in 1980, over 2000 coins, notes, beads and shells are coming back out. The Museum’s curatorial staff are busily pulling panels from cases, placing coins into specially prepared drawers and sliding notes into acid-free Mylar envelopes.
The doors were barely closed following Big Top Farewell event before Chief Curator Paul Berry and his team began emptying display cases that had been sealed shut since 1980. The biggest task involved removing more than 2500 bank notes from the room we knew as Gallery 8.
Another convention of the Royal Canadian Numismatic Association (RCNA) wrapped up in July. This year the convention was held in Winnipeg, Manitoba. It was the first time in over thirty years that the RCNA Convention made a stop there.
Before the museum closed for renovations on 2 July, technicians began to remove the heavier artifacts in late May. First to go was the strong box. Built of ¼” thick welded steel plates, this trunk was used by the Bank of Upper Canada in Toronto between 1821 and 1866.
Most of us know the first part of Alexander Graham Bell’s take on opportunity: “When one door closes, another one opens…” What we often don’t recall is the second half of that quote, where he says: “…but we so often look so long and regretfully upon the closed door, that we do not see the ones which open for us.”
The Staff of the Currency Museum was saddened to learn of the passing of artist Alex Colville who died on 16 July at his home in Wolfville, Nova Scotia. He was 92. One of Canada’s most celebrated painters, Colville is not as well-known as a sculptor but if you look carefully through your pocket change you might just find an example of his work.