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New Acquisitions

By: Paul S. Berry


May 30, 2017
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British Columbia Gold Pieces

British Columbia’s $10 and $20 gold pieces are among Canada’s most celebrated coins. Made in 1862 from gold mined during the famed BC gold rushes, they were the product of a government program that aroused intercolonial rivalries and pitted the media against the governor. Although never released for circulation, these two pieces were part of the first official initiative to mint coins in Canada—almost half a century before the opening of the Royal Canadian Mint in 1908.

British Columbia, $10 gold pattern, reverse side, 1862. The designer’s name appears below the ribbon. (NCC 2016.50.1)

BC gold $10 coin

British Columbia, $10 gold pattern, obverse side, 1862. The obverse design was the same for both the $10 and $20 denominations. (NCC 2016.50.1)

British Columbia $20 gold pattern, reverse side, 1862. The designer’s name appears below the ribbon. (NCC 2016.50.2)

In 1857 and 1858, gold was discovered in the interior of British Columbia. Miners, largely American from the California gold fields, flocked north. As British Columbia lacked facilities to assay gold dust (analyze its purity) and mint coins, there was no immediate way to turn this treasure into money. Miners and purchasing agents exported their gold to more developed facilities in San Francisco. Dismayed by the impact this situation had on BC’s economy, Governor Sir James Douglas took action. In 1862, he authorized the purchase of minting equipment and ordered dies to strike $10 and $20 coins for use in the colony. This upset people on Vancouver Island, then a separate colony from British Columbia, who felt the new mint should be in their jurisdiction. Perhaps as a result, within a year Governor Douglas had a change of heart and decided not to have any coins minted for general circulation. The equipment was moved into storage. This decision put him at odds with other government officials, setting off a media storm that lasted over a year. However, he gave approval for a few examples, called patterns, to be struck and sent to the 1862 International Exhibition in London. A few patterns were also unofficially struck as gifts for local dignitaries.

Today, only a handful of these coins remains: a small number of silver pieces struck by the designer to test the dies and a few gold patterns struck once the minting machinery was assembled.

The BC gold patterns have an international appeal, particularly for Americans, given the coins’ association with California. In fact, over the last century, most owners of the gold patterns have been US collectors. The coin dies, today in the Royal BC Museum, were engraved by Albert Küner who worked in San Francisco and prepared dies for other American gold pieces. The two coins are even the same size and value as the contemporary US $10 and $20 gold coins; the so-called eagles and double eagles.

United States $20 gold “double eagle,” reverse side, 1858. Struck at the San Francisco branch of the U.S. Mint. Note the small “s” for San Francisco above “Twenty D.” (NCC 1987.39.48)

United States $20 gold “double eagle,” obverse side, 1858. The San Francisco branch of the U.S. Mint opened in 1854. (NCC 1987.39.48)

While Governor Douglas’ actions deprived British Columbia of its own circulating coinage, those heady days of gold fever in the colony saw a variety of money in circulation. Gold dust, although inconvenient, was widely used alongside American and British gold and silver coins, assorted foreign coins, bank notes and paper instruments from a few local banks.

Bank of British North America $1 note, 1859. Founded in 1837, the Bank of British North America opened its Victoria agency in 1859. (NCC 1964.88.325)

Bank of British Columbia $1 note, 1863. This note was overprinted for issue at the bank’s branch in New Westminster. (NCC 1963.53.4)

The BC gold pieces are a significant part of Canada’s material culture. They speak to the early development of Canada’s West Coast, the region’s economic ties to its natural resources and its early links to American markets to the south. More to the point, they represent the initiative of a fledgling province to assert authority over a virgin territory on the eve of Confederation.

Cheque printed in San Francisco and drawn on Macdonald & Company, Private Bankers, Victoria, Vancouver’s Island, 1862. (NCC 1965.219.107)

Cheque drawn on the US firm Wells, Fargo and Company at its office in Victoria, Vancouver’s Island, 1863. (NCC 1973.28.1)

More information on this fascinating episode of Canadian history may be found in the pages of The Assay Office and the Proposed Mint at New Westminster by R.L. Reid, Memoir No. VII, Archives of British Columbia, Victoria, 1926.

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Content type(s): Blog posts

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July 28, 2014

Becoming a Collector V

By: Graham Iddon


Visual glossary of design and security details of Canadian Bank Note: 2004, $20 face
Suppose you walk into a bar frequented by currency collectors and in an attempt to join in you refer to a ‘planchette’ as a ‘rosette’ (beer mugs hit the tables and the pianist stops playing). This could be pretty humiliating and you’ll probably never be able to go to that bar again, at least not on numismatic night.
Content type(s): Blog posts
July 21, 2014

Becoming a Collector IV

By: Graham Iddon


Visual glossary of design details of Canadian coins
Now that you have a grasp of preservation techniques for coins, you might want to familiarize yourself with the finer points of their anatomy. It is all part of your numismatic education and besides, you need to be informed and sound informed when you are buying coins at flea markets or coin fairs.
Content type(s): Blog posts
July 7, 2014

Museum Reconstruction - Part 3

By: Graham Iddon


Bank of canada - Night
Though naturally we are aware that the former Museum space is being gutted, the reality of seeing it empty is still pretty strange for most of us here. In the last blog of this series we showed you the empty cafeteria space that will become the new Museum, as well as some images of the old Museum as it was at the time: stuffed with odds and ends of exhibit cases, the occasional display still on the walls.
Content type(s): Blog posts
June 23, 2014

CENTimental Journey

By: Graham Iddon


With all the blogging we’ve been doing for Voices from the Engraver, you’d think we had nothing else on our exhibition plate. We do, actually, and it’s called CENTimental Journey. This temporary exhibition, hosted at the Canadian Museum of History, walks you through more than 150 years of the Canadian 1 cent piece.
Content type(s): Blog posts
June 16, 2014

Museum Reconstruction - Part 2

By: Graham Iddon


We are coming up on a year since we closed the doors on the physical museum. During that year, we’ve worked very hard to make sure everybody knows that we are still a functioning museum and one that will be opening its doors again in a few years on a beautiful new space, with an expanded mission and mandate.
Content type(s): Blog posts
June 6, 2014

Becoming a Collector III

By: Graham Iddon


For you as the steward of your collection, your aim is to preserve the items as best as you can by protecting them from further deterioration. The pros call this preservation.
Content type(s): Blog posts
May 26, 2014

The Adventure of Exhibit Planning IV

By: Graham Iddon


This exhibition is about engravers, production processes and the beauty of postage stamps and bank notes. In the previous episode of this series we talked about the process surrounding securing the bank notes for this exhibition and how it had to take into account both the needs of the exhibition team and the concerns of the collections department.
Content type(s): Blog posts
May 20, 2014

Becoming a Collector II

By: Graham Iddon


So now you’ve decided that collecting currency is far more fascinating than collecting 14th Century Flemish altar paintings and have begun to accumulate some items. Good for you, those paintings are a bother to dust and currency is far easier to take care of.
Content type(s): Blog posts
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