Our exhibition hosted at the Canadian Museum of History
With all the blogging we’ve been doing for Voices from the Engraver, you’d think we had nothing else on our exhibition plate. We do, actually, and it’s called CENTimental Journey. This temporary exhibition, hosted at the Canadian Museum of History, walks you through more than 150 years of the Canadian 1 cent piece. CENTimental Journey exhibits a dozen pennies ranging from the first Province of Canada 1 cent piece to the last Canadian penny ever minted.
It is also an exhibition about what a few pennies used to buy, comparing that with what it costs to buy the same things now. Designed to look like catalogue pages from 1912 and 2012, it’s a fun and eye-opening exploration of the concrete effects of inflation on our lives, not to mention a sharp reminder of how the penny had outlived its usefulness.
Making the price comparisons is not as easy as it sounds. In choosing the catalogue items, we needed items whose relative values would have remained largely unchanged from both eras. This proved to be an unexpected challenge when we tried to compare hockey sticks. A mortar and pestle probably reached its zenith of design sophistication a few millennia ago, but sports equipment is still evolving. A simple wooden hockey stick that cost a couple of dollars in 1912 barely has an equivalent in today’s market. Pretty much any chunk of lumber a kid could whack a puck with was just fine a hundred years ago, but modern technologies—not to mention NHL aspirations—have added surprising levels of complexity to what was once a fairly straightforward item (titanium shafts with carbon blades, anyone?). Then again, the relative prices of some items have dropped thanks to modern mass production. The average price of a car in 1912 was higher than the average annual income. Now that situation is reversed.
All in all, figuring out this exhibition proved a surprisingly complicated task for our curator. In the end it turned out that lots of familiar clothing and household items have remained more or less unchanged in relative terms, so those are the kinds of items we chose to include in our exhibition.
Our designer did not simply copy items out of period catalogues when she designed our exhibition. She personally illustrated each 1912 catalogue item using vintage catalogue images as inspiration. The item descriptions are inspired by the catalogue vernacular of a century ago and naturally caused havoc with our poor, suffering translator. And the modern side? That was easy; we designed it to appear as if it’s ready to be posted on-line.
CENTimental Journey opens 27 June and runs for one year. Drop in for a visit—behind the Great Hall, on your left around the corner past the Canadian Stamp Collection.
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Content type(s):
Blog
Subject(s):
Exhibitions
The Museum Blog
June 30, 2021
The Bank of Canada head office is two structures: the stone cube on Wellington Street and the glass structure that it is nestled into. Both are significant architectural landmarks.
The house the Bank of Canada built
By: Graham Iddon
June 3, 2021
Supply and demand is part of the very bedrock of an economy. It's what generates the price of any product or service.
Value is in the Eye of the Consumer
By: Graham Iddon
April 30, 2021
An image of a river of logs floating behind Parliament Hill has long lived in Canadian collective memory thanks to a bank note, the Scenes of Canada $1 bill.
Mishap on the dollar
By: Graham Iddon
Content type(s):
Blog
Subject(s):
Collection,
History
March 23, 2021
Putting an industrial facility on a bank note is not a casual decision. At the end of the 1960s, such places were earning a bad reputation for pollution. There was actually a good reason for this choice, but it wasn’t obvious to many Canadians.
The Last Smokestack
By: Graham Iddon
Content type(s):
Blog
Subject(s):
Collection
February 26, 2021
There might be only a handful of basic game formats, but there is an infinity of variations—a surprising number of which require the skills we need to manage our daily economic lives.
Playing with Economy
By: Graham Iddon
