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    Security printing is a game of anticipating and responding to criminal threats. Counterfeiting is a game of anticipating and responding to bank note design. This cat and mouse relationship affects every aspect of a bank note.

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The Adventure of Exhibit Planning III

By: Graham Iddon


May 2, 2014

During the planning stages stamping the word ‘final’ on any given aspect of a travelling exhibition can seem less of a directive and more of an overly optimistic suggestion. An exhibition’s elements are changeable for so many reasons, by so many people, that there is a strong temptation - to paraphrase Yogi Berra - to say it’s only done when it’s done. Better still, it’s only done when it has been built, toured and dismantled. All of which is to say that one must be careful about using the word ‘final’ - it’s so, well, final.

The Collections department of any museum, passionate though it may be about telling the stories that live in its vaults, has a mandate to maintain its artifacts under the best conditions possible. The exhibitions team of any given museum understand and support this, but is still primarily focused on the goal of sticking the pieces on display. And here you have the basic family conflict of every museum team: the brother and sister who both want to sit in the front seat on car trips. (for those of our readers old enough to remember cars that could seat 3 in the front) This can make choosing artifacts a little bit complicated.

Unlike a permanent exhibition, travelling exhibitions suffer all sorts of shifts in temperature, humidity, lighting—not to mention the risks of loss, damage or acts of God (i.e., ten year old boys). So selecting artifacts begins to resemble a form of hostage negotiation. It starts with: ‘What artifacts would tell this story best?’. Then: ‘What artifacts do we have in the collection that will do this?’ Followed by: ‘Which of these items are suitable for travel and display?’ That last one is a doozy: ‘I’ll give you four months at 75 lux of light at 60% humidity’ ‘Hmm, how about six months at 50 lux of light at 55% humidity?’ ‘Fine, but I want a sealed case.’ ‘Yeah, um, let me take a look at the budget… ’ OK, it’s not really like that, (the conservator decides what’s best), but the needs of the object and those of the exhibition are often very different. The good news is that, at the end of the back and forth, as is evident in our current effort, there are always, plenty of beautiful and unusual things on offer.

One of the reasons we have had to be so careful in the case of this exhibition is the fact it is designed to be on the road for several years. During that period, there will be times when some of the artifacts will need to come home for a bit of a rest. They could be in Rimouski or Prince Albert when the need arises, so rather than take them out of the story, we include reproductions (noted as such) that can be swapped for the real thing, each with its own little case so nobody handles the artifacts. The risk of damage to the item is minimized on all accounts and everybody’s satisfied.

These days we are continuing with our exhibition planning; so far so good for Voices from the Engraver. I think we can safely say the examples you see here are ‘finals’ (although, maybe, uh, let me get back to you on that).

Next time we’ll talk about the stamps which make up roughly half of our artifacts.

We want to hear from you! Do you have an idea for a blog post you’d like to see?
Content type(s): Blog posts

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The Museum Blog

March 22, 2023

Security is in the bank note

By: Graham Iddon


Collage, photo of wild west street, old bank notes, old counterfeiting brochure.
Security printing is a game of anticipating and responding to criminal threats. Counterfeiting is a game of anticipating and responding to bank note design. This cat and mouse relationship affects every aspect of a bank note.
Content type(s): Blog posts Subject(s): Economy, Financial literacy Grade level(s): Grade 07 / Secondary 1, Grade 08 / Secondary 2, Grade 09 / Secondary 3, Grade 10 / Secondary 4, Grades 11 and 12 / Secondary 5 and CEGEP
February 2, 2023

Teaching art with currency

By: Adam Young


From design to final product, bank notes and coins can be used to explore and teach art, media and process.
Content type(s): Blog posts Subject(s): Arts, Education Grade level(s): Grade 05, Grade 06, Grade 07 / Secondary 1, Grade 08 / Secondary 2, Grade 09 / Secondary 3, Grade 10 / Secondary 4, Grades 11 and 12 / Secondary 5 and CEGEP
January 20, 2023

New Acquisitions—2022 Edition

By: David Bergeron, Krista Broeckx


It’s a new year—the perfect time to look back at some notable artifacts the Museum added to the National Currency collection from 2022. Each object has a unique story to tell about Canada’s monetary and economic history.
Content type(s): Blog posts
December 6, 2022

Money: it’s a question of trust

By: Graham Iddon


Photo collage, parking meter, old bank notes and an early bank card.
The dollars and cents we use wouldn’t be worth anything to anybody if we didn’t have confidence in it. No matter if it’s gold or digits on a hard drive, public trust is the secret ingredient in a successful currency.
Content type(s): Blog posts Subject(s): Economy

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