Coins from a nation that wasn’t: Araucania and Patagonia
By David Bergeron, Curator
It is not unusual for “micro-nations”— city-states, principalities or minor kingdoms—to produce their own currency. Having a national currency is one way that a fledgling nation can promote its independence—sometimes before there even is a nation. But this coin, from a purely conceptual country in South America, is most intriguing for the history it now represents: the attempt of an indigenous people to establish their own nation in the face of colonization. Even more intriguing, what’s stamped on the coin implies this imaginary nation had already been colonized–by France.
In the middle of the 19th century, a French lawyer and adventurer named d’Antoine de Tounens became fascinated by the Mapuche people of the Patagonia region of South America. The Mapuche were struggling to protect their ancestral lands, their identity and their culture from colonial expansion by the governments of Chile and Argentina. De Tounens went to Chile in 1858 to meet the Mapuche, whom he admired for what he regarded as their heroic resistance, and took up their campaign for self‑determination and sovereignty. In co-operation with their leaders, de Tounens drafted a constitution for “Araucania and Patagonia”, a region located in the southern half of modern Chile and Argentina. They declared the district a kingdom and de Tounens was named as its first monarch. The Chilean government arrested him in 1862, put him on trial and declared him insane. Narrowly avoiding execution, de Tounens was deported to France.
The National Currency Collection possesses three 2-centavo coins minted for Araucania and Patagonia in 1874. What is so curious about these coins is that they claim this potential nation for France. The legend on the reverse reads “NOUVELLE FRANCE / DOS / CENTAVOS / 1874". De Tounens appeared to have baptized the nation as part of New France, yet this designation is seen nowhere else but on the coins. The coins don’t originate from South America but by some accounts may have been struck, presumably at de Tounens’ request, in Belgium.
De Tounens intended to take the coins back with him to Patagonia to help re-establish his kingdom. Although he returned and failed on several occasions, a number of countries did choose to recognize his fledgling state. But it was not to be. In 1878, Orélie-Antoine de Tounens (as his magisterial name was) died in France as the exiled King of Araucania and Patagonia. A successor to the office of Royal Highness to the Crown of Araucania and Patagonia (in exile) still lives in France today–Prince Antoine IV.
The doors were barely closed following Big Top Farewell event before Chief Curator Paul Berry and his team began emptying display cases that had been sealed shut since 1980. The biggest task involved removing more than 2500 bank notes from the room we knew as Gallery 8.
Another convention of the Royal Canadian Numismatic Association (RCNA) wrapped up in July. This year the convention was held in Winnipeg, Manitoba. It was the first time in over thirty years that the RCNA Convention made a stop there.
Before the museum closed for renovations on 2 July, technicians began to remove the heavier artifacts in late May. First to go was the strong box. Built of ¼” thick welded steel plates, this trunk was used by the Bank of Upper Canada in Toronto between 1821 and 1866.
Most of us know the first part of Alexander Graham Bell’s take on opportunity: “When one door closes, another one opens…” What we often don’t recall is the second half of that quote, where he says: “…but we so often look so long and regretfully upon the closed door, that we do not see the ones which open for us.”
The Staff of the Currency Museum was saddened to learn of the passing of artist Alex Colville who died on 16 July at his home in Wolfville, Nova Scotia. He was 92. One of Canada’s most celebrated painters, Colville is not as well-known as a sculptor but if you look carefully through your pocket change you might just find an example of his work.
The roots of the Currency Museum go back to 1959 when the then Governor of the Bank of Canada, James Coyne, proposed the idea of establishing a currency collection that would reflect the colourful monetary history of Canada. By the time the go-ahead was given in 1963 by Coyne’s successor, Louis Rasminsky, the collection’s mandate had been expanded to include world monetary history, banking and production artifacts and a numismatic library.