An international conference of medal experts
FIDEM, the International Federation of Art Medalists was formed in Paris in 1937. It exists to promote an appreciation for art medals, hosting shows internationally and providing a forum for the discussion and publication of relevant information. Members include sculptors, minting authorities, and museums from 40 countries.
From May 29th to June 2 the organization held its biennial congress in Ottawa. The theme this year was Women and Women in the Natural Sciences in honour of the 100th anniversary of the act giving women the right to vote in Canadian federal elections. The event took place at the Canadian Museum of Nature on McLeod St. in Ottawa where in 1918 the legislation governing the enfranchisement of women was passed. This is the first time FIDEM held a congress in Canada and the Bank of Canada Museum took on an active role.
As part of the first plenary session, I gave a presentation on the celebrated Canadian sculptor R. Tait McKenzie and the women featured in his work. Most of McKenzie’s professional career was as Director of the Department of Physical Education at the University of Pennsylvania in Philadelphia. Although best known today for his athletic sculptures showing what many considered was the ideal male form, he also created works of those he admired, including female members of his family, acquaintances from Montréal and Philadelphia, and accomplished scholars and members of the art community.
On May 26th, the Museum opened an exhibit called Masters of Relief —on display until November 25. It showcases the works of three prominent Canadian sculptors who designed coins and medals: R. Tait McKenzie, Emanuel Hahn and Dora de Pédery-Hunt. Here we treat visitors to some of the amazing creations of these talented Canadians. Our younger audience can also take rubbings of enlarged copies of some pieces and try to match their work to the genuine object on display.
Finally, on May 31, the Bank of Canada Museum was pleased to host a reception for FIDEM delegates. Approximately 130 people took part in the event. For over two hours, our guests mingled, toured the exhibits and generally had an enjoyable time. People liked the digital wall and “design your own bank note” interactives. There were questions about our artifact mounts and use of technology. Many said that they didn’t have enough time to see everything in the museum and would come back during the week.
This was a wonderful opportunity for the Bank of Canada Museum to welcome the world to its doors and showcase its new facilities to some of our sister organizations from other parts of the globe. We were honoured to participate in this significant conference.
Economic bubbles continued to pop up regularly throughout history, and still do today.
In heritage conservation, broken metal objects can be reassembled with an adhesive most commonly used for repairing glass and ceramics.
Used extensively in the 19th century, this type of hand-operated press printed secure financial documents using the intaglio method.
How on earth did an “S” with a line or two through it come to represent a dollar? Any ideas? No? That’s OK, you’re in good company.
In 1977, the Royal Canadian Mint wanted to reduce the size of the penny in response to the rising price of copper. Little did the Mint know that the Toronto Transit Commission’s reaction would force the cancellation of the program.
The printing firms’ design teams went to work and came back with a surprising result: vertical notes.
The life expectancy of a two-dollar paper note was about a year. But coins can last for more than 10 years.
Successfully counterfeiting a bank note in the mid-19th century required an engraver with reasonably high talent and very low ethics.
Instead of bragging about our visitor statistics and the popularity our programming (both great!), we’ll talk about what’s coming up for early 2019.
As in any siege, Mafeking quickly began to run short of most things, not the least of which was cash.